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A Film Editor, or Video Editor, is responsible for turning uncut footage from a film shoot into a finished, cohesive final project. Their duties include studying film scripts and using them to guide scene development, determining which camera angles to use and coordinating sound and visual effects in post-production.
You'll typically start as a runner or trainee before working your way up to a position as an assistant editor. You can expect to work as an assistant editor for around three to four years before moving on to become a qualified editor.
A proactive approach and willingness to start at the bottom are essential for forging a career in this fast-changing industry. If you're able to relocate for a job this may also be helpful, particularly in the early stages of your career.
In post-production or broadcasting companies, progression may be from runner, digitiser, or assistant editor to senior editor. Larger employers provide well-structured career paths. Experienced in-house editors may ultimately move to management roles.
For freelancers, career development takes the form of progressing from small productions to larger or more prestigious projects. It's vital to establish a good reputation and develop your networking skills to succeed. Building strong working relationships with freelance directors, production managers and producers is valuable, as they're often able to take preferred editors with them onto new projects.
While relevant qualifications may be beneficial, career development is based more on experience and practical involvement within the industry and on developing a strong network of contacts.
A film/video editor is not an entry-level job and it's normally necessary to start at a lower-paid level, possibly as a runner, where salaries could be around the national minimum wage. You may then progress to assistant editor where you could expect to earn more, before reaching the full editor position.
Most editors work as freelancers and are paid on a contract basis. Rates vary, so it's best to check for current freelance rates with individual companies or the Broadcasting Entertainment Cinematograph and Theatre Union (BECTU). If you get work through an agency, they will negotiate rates and then take either a percentage or flat fee.
Pros of Being an Editor | |
Work indoors | |
Makes decent money | |
Can work remotely | |
Perks | |
Good job prospects | |
Not stressful | |
Avoid physical work | |
Can start own business |
Cons of Being an Editor | |
Editors do not get rich | |
Large income swings | |
Jobs are outsourced | |
Programs may replace humans | |
Low social status | |
Difficult to switch fields | |
Have to sit before the computer | |
Compulsory educational qualifications |
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